Lady Wray "Cover Girl"
Lady Wray makes her highly anticipated return with Cover Girl, her third album on Big Crown Records. The album opener “My Best Step” says it all, “my next step is my best step”, and indeed she is taking her artistry to a new high and making the best music of her life. The celebratory Cover Girl takes listeners on a free-spirited joyride glittered with ‘60s and ’70s-inspired soul and disco, ‘90s hip-hop and R&B, and perhaps the most defining element, gospel. Following the healing journey that was 2022’s Piece of Me, Nicole has performed on The Late Show With Stephen Colbert, NPR’s Tiny Desk, and toured the world. After this period of growth, Lady Wray is now ready to let her hair down and embrace all of what life has to offer. Reunited with producer Leon Michels (Norah Jones / Clairo / El Michels Affair) for the record, the outcome is effortless and undeniable, a reflection of their longtime collaboration that extends over a decade.
“I’ve gravitated more towards love and self-care with this album. Piece of Me was realizing that I was going to be a mother, and all those feelings were on my heart,” Lady Wray says. “Now I’m able to sit back and be a real boss. I got my career, my motherhood, and my marriage by the horns. I’ve grown into this more self-aware and beautiful flower for Cover Girl.” With an almighty voice, soul-stirring lyrics, and a magnetic personality, the singer-songwriter reflects her appreciation for her family, her faith, and her renewed love for herself—all of which drive her new record.
Lady Wray was born to sing, sharing her soul and her life with us through her music. She has amassed a diehard worldwide fanbase with her relatable messages and incomparable voice. Whether singing of her struggles or strengths, there’s a comfort that comes from the way she makes us know we are not alone in any of it. Nicole Wray is inspiring and uplifting. Having been through a lot, she’s taken all of it and made herself a better person and a better artist.
“You need to rule your own world. Don’t let anybody get in your way. You rock with your dreams until the wheels fall off,” Lady Wray says. “That’s what I’ve been doing with my career since 1998. I know who I am and what I bring to the table. It’s been a heck of a journey, and I feel so happy to be making the best music of my life.”
Nobukazu Takemura "knot of meanings"
Nobukazu Takemura’s music is singular in its ability to create a musical sense of childlike wonder and curiosity with gracefully executed yet complex compositions. His pieces embody an innocence and the intricacies of self-discovery that every human is faced with as their worlds become more complex. An acclaimed artist and composer, Takemura is known for his idiosyncratic music and video artistry as well as his prolific collaborations including those with Tortoise, Yo La Tengo, DJ Spooky and Steve Reich. knot of meanings, Takemura’s first proper album in a decade, finds the Japanese artist wrestling with the rise of technological influence on art and culture in the modern era, in tandem with his own relationship to religion, and where those struggles meet. Like the colorful, irregularly shaped glasses on the cover, the album is a mosaic of technicolor elements that come together to form a complete picture, a dense portrait of interconnected struggles and triumphs.
For Takemura, the knot of meanings explores a universal and yet deeply personal and complicated knot, a metaphor for defining spirituality’s role in life. “Personally, I see this knot as an opportunity to rebuild my relationship with God,” says Takemura. “I feel that the meaning of life is to find and rediscover this connection every day.” The knot acts as a further metaphor for the barriers between people, their connectivity tangled by developments in technology that drive division rather than create community. “Much of technology has unfortunately developed in a way that pursues convenience and promotes egoism,” Takemura continues. “The world has lost its center, people have become scattered, and culture has stagnated by repeating the same things.” Takemura’s search for meaning across the record is less in search of some preconceived idea of piety or heavenly ascension, but instead focuses on an optimism of originality.
Animal, Surrender! "A Boot For Every Bane"
Back in 2023, bassist Peter Kerlin (Sunwatchers, Chris Forsyth Solar Motel Band, Bent Arcana, Everloving) and drummer Rob Smith (Gray/Smith, Rhyton, Pigeons) ritualistically burnt their passports, ate the ashes, and began conspiring together under the guise of Animal, Surrender!
Kerlin’s spidery and melodious 8-string electric bass pushes the expected language of that instrument into terrain more often inhabited by lutes or pianos, and begs to interweave with a drummer like Smith who slyly punctuates, hisses, and propels against the grain. The duo’s often wordless music is spun from threads of lost folksongs and polyrhythms into hypnotic, latticework compositions whose melodies and beats shift like cat’s-cradles strung between their constantly moving hands.
Their eponymous debut on Ernest Jennings Record Co. in 2024 found haunting covers of Nick Drake and Mike Wexler lurking amongst a tangle of lean, progressive originals, all crafted with the terse economy of post-rock, but reflecting a kaleidoscopic, pastoral vision in its eyes.
Their forthcoming album, A Boot for Every Bane (2025 EJRC), builds upon the incantatory language of the first while inviting the talents and mercurial instincts of pipe organist Curt Sydnor (Greg Saunier, Yonatan Gat, Peni Candra Rini) into the magick circle.
Laveda "Love, Darla"
With Love, Darla, Laveda creates visceral sounds that mirror the harsh noise and static of the sprawling cityscape. Genevich’s lyrics reflect chaotic nights stumbling through the city in a drunken fog, confronting the anxieties of a conflicted and incongruent world, and the struggle to find and hold onto things worth loving and living for. The record begins with a minute of guitar feedback building into the driving No Wave-esque song, “Care”, which sounds like a lost track from Sonic Youth’s Sister. Songs like “Cellphone” and “I Wish” are motorik, muscling forward with spoken, prosaic lyrics that read like abstract poems. “Dig Me Out”, on the other hand, is a more heartbroken effort with a soft gravity that pulls you into its calm undertow- a likely favorite for fans of bands like Blonde Redhead. Wholly, the record is familiar yet fresh, harnessing the power and aesthetic of 80’s punk and 90’s grunge- filtering them through a fresh and original contemporary lens. Love, Darla is a masterful exercise in fusing memorable ear worms and frantic, eruptive energy- an active volcano.
Now with the support of Bar None Records and their dense and legendary catalogue of artists behind them, Laveda continue their prolific journey. With Love, Darla, Laveda’s listeners will ride through the dark undercurrents with them- feeling the packed heat of the cluttered subway car and hearing the steel and concrete grinding together as sparks ignite in flashes of light. They will also ride the line as it emerges into the light of day, moving across open water- the world opening up to see the clouds busting in the sky like dying stars exploding in an unimaginably beautiful, exciting, and endless universe. description