Maurice White "Manifestation"
The final recordings from the Earth, Wind & Fire founder and Grammy Lifetime Achievement Award-winner.
As a teenager, Maurice White studied at the Chicago Conservatory of Music while playing in bands around town. Later, he became a session drummer at Chess Records where he appeared on records by Muddy Waters, Buddy Guy, Chuck Berry, Etta James, and more! In 1966 he left Chess to join the Ramsey Lewis Trio, staying with them for the next three years and a series of album releases (and winning a Grammy for Best Rhythm & Blues Group Performance, Vocal or Group for their track, “Hold It Right There”) until 1969, when he joined two friends, Wade Flemons and Don Whitehead to form a songwriting team. They moved from Chicago to Los Angeles and changed their name to Earth, Wind & Fire.
Earth, Wind & Fire sold over 100 million records, and won countless accolades: inclusion in the Rock and Roll Hall of Fame, Songwriters Hall of Fame, Vocal Group Hall of Fame, and garnered four American Music Awards and seven Grammys (out of 17 nominations), including a Lifetime Achievement Award in 2016.
White was also a sought-after producer, player and songwriter. His credits include songs, albums and sessions for Barbra Streisand, Neil Diamond, Ramsey Lewis, Pieces Of A Dream, Minnie Riperton, Barry Manilow, Jennifer Holliday, Deniece Williams, The Emotions, Walter Hawkins, The Tubes, Atlantic Starr, and many, many more. His remarkable career included solo albums, music for feature films, television shows, and a Broadway play.
After releasing a self-titled solo album in 1985, while recording Earth, Wind & Fire’s 1987 release Touch The World, White shared the producer chair with award-winning producer/songwriter Preston Glass. The result was a number one chart hit, “System Of Survival.” From this successful start, Glass and White formed a songwriting bond that lasted for nearly 30 years and resulted in over 40 songs. Three years after White’s untimely passing, 12 of those songs were released digitally as Manifestation.
Now, those 12 songs, along with six previously unissued tracks appear for the first time on CD (Digital also available), fully authorized by Kalimba Entertainment and in cooperation with Platinum Garage Recordings and SoulMusic Records. Newly remastered by multiple Grammy-winning Engineer Michael Graves, the musical spirit of Maurice White thrives as his final recordings are available again featuring new, insightful, and heartfelt notes from set co-Producer David Nathan. Manifestation is essential listening for fans of the lifelong work of the brilliant Maurice White.
Chuuwee & iMaginery Other "NxBoDies"
Six Organs of Admittance "Time is Glass"
Once again, Six Organs of Admittance showcases the intricate tangle of fingers on the fretboard and flash of lens flare slicing the air, as the future arcs 360 degrees around to become a part of the past as well. Oscillations in this glass bowl ripple outward eternally, but are rooted on the ground where all the creatures are moving and communing; humans too. An intimate cosmic expression, file under: rural-industrial psych, ecosystem goth.
Microwave "Let’s Start Degeneracy"
The fourth full-length record from Atlanta’s Microwave is a trip. It all begins with the misty synth strikes and cosmic transmission warbles of “Portals,” before hazy, dripping-wet guitar chords settle in. The song, an adaptation of the traditional Christian hymn “Softly and Tenderly,” is true to its new name, as liminal and fleeting as it is gripping and emotional. It’s an enormous, gentle, enveloping introduction to what will be explored: life and death, happiness and freedom, the real and unreal. This is Let’s Start Degeneracy, the long-awaited new album from Microwave, releasing on April 26 via Pure Noise.
It’s an emo record, but perhaps only categorically speaking. It contains multitudes: ambient, pop, R/B, punk, and experimental sounds float in and out of one another as the record moves through scenes, experiences, and feelings, all of them rippling with a purity of intention and translation that mark the best artistic works of “psychedelia.” Vocalist/guitarist/producer Nathan Hardy, bassist Tyler Hill, and drummer Timothy Pittard have created something that resembles a concept record, but it’s the sort of concept that’s impossible to contain in just one phrase or word or sound.
The record’s title, taken from a conservative politician’s take on drugs in 1970, captures this liberated spirit. There are no rules, and there is nothing to be ashamed of. “It’s about letting go of attachments and behaviors that aren’t serving you, and trying to shake off your programming and not be motivated by fear and guilt and shame,” says Hardy.