Past Releases

Maserati "37​:​29​:​24 – Anniversary Edition (Rough Trade Publishing)"

Originally released in a very limited capacity in 2001, Maserati’s debut album finally gets reissued on all formats to commemorate the band’s 20th anniversary. Remastered from the original master tapes by Josh Bonati, 37:29:24 featured Maserati’s original lineup of Coley Dennis, Matt Cherry, Steve Scarborough, and Phil Horan, and includes many of the most placid and meditative moments in Maserati’s storied catalog – a darker, more pensive night drive than they would come to be known for on their later albums.

Bandcamp

Maserati "The Language of Cities – Anniversary Edition (Rough Trade Publishing)"

Originally released in 2002, The Language Of Cities was Maserati’s second album – and their last before Jerry Fuchs joined the band. Out-of-print and unavailable for over a decade, The Language Of Cities finally gets reissued on all formats to commemorate the band’s 20th anniversary. Remastered from the original master tapes by Josh Bonati, The Language Of Cities featured Maserati’s original lineup of Coley Dennis, Matt Cherry, Steve Scarborough, and Phil Horan, and remains the most sprawling and contemplative album of the band’s decades-long career.

Bandcamp

Pkew Pkew Pkew "Open Bar (Rough Trade Publishing)"

Pkew Pkew Pkew is looking on the bright side.

As a band that lives and dies by touring, it’s been a while since they could say fuck it, we’re taking a year off to make something. That decision wasn’t entirely theirs, but 2020 handed them an opportunity. Open Bar doesn’t navigate any of the tired pandemic tropes. Instead, Pkew is celebrating the things that make their lives awesome, even if those things suck sometimes.

The band was forced to take a step back and use a slower approach. Mike Warne (guitars/vocals), Ryan McKinley (guitars/vocals), Emmett O’Reilly (bass/vocals) and David Laino (drums) bounced song ideas off Craig Finn of The Hold Steady, and went into the studio with Jon Drew, who produced their first album.

“Since we didn’t have a hard deadline to finish, we felt a lot more freedom to take our time and mess around in the studio. Jon is the kind of producer that is down to try anything, so we had lots of fun playing with trumpets, old moog synths, glockenspiels,” says Warne.

In a weird year, the familiar Pkew themes—navigating life’s small daily troubles with a sardonic grin and your friends by your side—are comforting, nostalgic.

The result is tight, rowdy modern punk with the heart and soul of classic rock. It’s cracking a beer in the park, plugging in the AUX cord on a summer road trip, cramming into a sweaty bar with your friends and a million strangers.

 

Pink Mountaintops "Peacock Pools"

Since their 2004 self-titled debut, Pink Mountaintops have supplied an outlet for the more arcane fascinations of Black Mountain frontman Stephen McBean. On Peacock Pools—Pink Mountaintops’ first new music in eight years—the British Columbia-born singer/songwriter/multi-instrumentalist shares 12 songs sparked from his magpie-like curiosity for a wild expanse of cultural artifacts: the sci-fi body horror of David Cronenberg, Disney Read-Along Records from the 1970s, early Pink Floyd and mid-career Gary Numan, John Carpenter movies, Ornette Coleman live videos, a 1991 essay on the cult of bodybuilding by postmodern feminist Camille Paglia. Featuring counterculture icons like Steven McDonald of Redd Kross and Dale Crover of Melvins, Peacock Pools alchemizes those obsessions into a body of work with its own enchanting power, the sonic equivalent of falling down a thousand rabbit holes at once and landing somewhere gloriously strange.