Past Releases

Torres "Silver Tongue (Merge)"

We’ve been fans of the enchanting music of Torres for a few years now-and are thrilled she is back with her 3rd full-length album. Silver Tongue (Merge) is a heady mixture of swirling synths, hidden guitars, AOR drums, Torres’ poetic, present vocals, and the perils of drinking mercury. Ok, I made up the last one (get it? silver tongue?). But don’t let my dumb joke turn you off to this stunner of an album. Instead, allow yourself to be stunned by this stunner. Start with the first song on the album “Good Scare” and go from there!

youbet "Compare & Desire (Ba Da Bing!)"

Trippy, sunny, and fun. Three words that describe very little during the gloomy east coast winters. Except! Compare & Desire (Ba Da Bing), the new album from Youbet. Imagine a world where Cate LeBon was a member of early Foxygen. Things change operatically and weave in and out of 60s hippie rock, angular indie changes, and surprising quirk bombs. Happy and disturbing, this is an album that contains multitudes (like the best candy bars). Check out the first single “Bite.”

Squirrel Flower "I Was Born Swimming (Polyvinyl)"

from Polyvinyl:
 
Squirrel Flower’s music is ethereal and warm, brimming over with emotional depth but with a steely eyed bite and confidence in it’s destination. The band on I Was Born Swimming plays with delicate intention, keeping the arrangements natural and light while Williams’ lead guitar is often fiercely untethered. The album was tracked live, with few overdubs, at The Rare Book Room Studio in New York City with producer Gabe Wax (Adrienne Lenker, Palehound, Cass McCombs). The musicians were selected by Wax and folded themselves into the songs effortlessly. At the heart of the album lives Williams’ haunting voice and melancholic, soulful guitar. 
Check out the hypnotic “Headlights.”

Oval "Scis (Thrill Jockey)"

From Thrill Jockey:

Oval began in the early 90’s and rapidly gained acclaim for its innovations in electronic music. Composer Markus Popp championed software intuition over his own role in music making for many years, anticipating the AI trend in composition by nearly 30 years. Early albums found a critique of the entire system of recorded music built into every gesture. Popp toured with a desktop computer and projected his screen, constructing remarkably evocative and emotional performances from file manipulation. Each new Oval release saw Popp radically redefine his practice, introducing new elements and embracing new creative challenges, integrating cutting-edge technology and processes into his practice to ensure that each record sounded as contemporary and exhilarating as the last.

New album Scis and its companion EP Eksploio see the producer focus on composition, working with a fresh palette of sounds to create his most emotive work to date. Popp injects a newfound playfulness into his complex loop architectures, with both album and EP exploring and subverting elements of club music. The intricate, organic drum sounds Popp introduced on the Oh! EP and O album have here been replaced with driving electronic rhythms, albeit still approached by Popp as an instrumentalist rather than a beat-maker.

Check out the quirky build of “Impecco.”

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