Superchuck "Songs in the key of Yikes"
In seeking an answer, Superchunk unleash a sound that is triumphant and bright in the darkness, Majesty Shredding in overdrive. Songs in the Key of Yikes is a signature Superchunk album: visceral and timeless and catchy as hell—a cathartic balm for these oppressive times that will feel even better once we’ve figured our collective shit out.
Star Moles "Snack Monster"
This album kind of started as an academic pursuit. I was taking a course on medieval literature when I was introduced to Andreas Capellanus’ Rules of Courtly Love. Initially, I thought it would be a great idea to make a concept album with a song for each rule. As you’ll see, this album has only 7 tracks which isn’t even close to the number of rules there are. But certain rules immediately inspired me and captured my attention. The song “Tides” is about jealousy (Rule 2: He who is not jealous cannot love). The song “Why” is about not starving oneself of love (Rule 8: No one should be deprived of love without the very best of reasons). The song “Rules of the Court” is, as one might assume, about a romance that abides by these rules, many of which reflect on the tormented state of the lover, pining in secrecy and constant fear of losing love.
After a few years of boring, therapized love songs in the pop sphere idealizing romance between individuals who have “worked on themselves” and reached a state of mental, spiritual, physical, and financial wellness (read: purity) I was just so moved by this concept of complicated and messy romance as art. The name Snack Monster was a working title of unknown origin that just stuck. But it’s fitting, since these songs are about love in morsels, craved and devoured and driving you insane.
Matching Outfits "Ditch Me"
A trio of adopted Berliners whose warped take on indie pop captures life’s major heartbreaks and minor inconveniences in gut-wrenching, occasionally hilarious detail. They do not wear matching outfits, except when they do.
“Lo-fi, poppy, wistful, exuberant, and playfully deadpan. Like a crooked smile or a knowing wink. Lovable weirdos who celebrate the profound charm of the everyday.” Olivia Bradley-Skill / Radio Ravioli WFMU
Manslaughter777 "God’s World"
Manslaughter 777 are powerhouses of forward-thinking rhythmic music and production. The duo, composed of drummers/programmers Lee Buford (The Body, Sightless Pit, Dead Times, Everyone Asked About You) and Zac Jones (MSC, Nothing, Braveyoung), combine their prowess as percussionists and producers into beat-centric music that delights in turning unexpected sounds into razor sharp rhythms. Buford and Jones, along with engineer/producer Seth Manchester of Machines with Magnets (The Body, Model/Actriz, Liturgy), have collaborated for nearly two decades, consistently shattering genre boundaries and redefining the role of the studio in the process. God’s World uses innovative sound sampling to create expansive sonics driven by complex rhythms. The resulting album’s infectious grooves are both celebratory and irreverent. The duo imbue their music with a sinewy pulse and sense of dynamic care that lends a humanity to their unyielding arrangements. God’s World is an album whose electrifying turns and gripping compounds, in pursuit of lush, incendiary grooves, is a thrilling and joyous expressive delight.