
Rachel Grimes "The Way Forth (Temporary Residence)"
Composer/pianist extraordinaire Rachel Grimes is back with a heady, rousing concept of an album. The Way Forth (Temporary Residence) is a folk opera steeped in American history. The source of this history comes from 18th and 19th-century letters, documents, and photos from Kentucky. But as with everything Rachel does, the music is the main attraction here. Though there are tracks featuring spoken word and choral arrangements, it is all in service of Rachel’s beautiful music–here piano mixed with an Americana-esque chamber ensemble. Check out the first track from the album “Got Ahold of Me.”

Sean O'Hagan "Radum Calls, Radum Calls (Drag City)"
For only the second time in his 30 year career, Sean O’Hagan has made a solo album. Though you may not know his name, you’ll recognize his singular sounds. He’s worked with both The High Llamas and Stereolab, and Radum Calls, Radum Calls (Drag City) sounds like, well… both of those things. If Stereolab were a chamber music group, or if The High Llamas were a little more delicate. Sort of a retro-pop collection, with hints of exotica and lounge music. This are jams that are familiar and brand new at the same time. He did all that without a time machine too. Quite a trick, eh? So check out the first single from the album, the blissful “On A Lonely Day (Ding, Dong).”

Little Scream "Speed Queen (Merge)"
Little Scream is back with their most vital, zeitgeist-y record yet. Speed Queen (Merge) is… well. The first track is called “Deal Leader” so… yeah… recent Canadian Laurel Sprendelmeyer’s head is sorta where all of our heads are at too. But don’t let possible politics sour you here. This is a sonically beautiful album. Rich, harmonious tunes filled to the rafters with strings, choral touches, band trappings, and other such audio wonderments-pay close attention to the intimate, bouncy bass throughout the album. Maybe it’s these new headphones I just got but DAMN this record just, you know, SOUNDS good. So check out the aforementioned “Dear Leader” or the late-era new wave meets disco-pop vibes of “Still Life” and let me know for sure it’s not just me.

Mikal Cronin "Seeker (Merge)"
For his fourth full-length record, Mikal Cronin forwent the naming scheme of his last few releases and went with Seeker (Merge). Well, whatever he was seeking he found, as Seeker is the best thing Mikal has ever recorded. Joyous, slightly (and blissfully) ramshackle in the best possible way. With each release, he’s been pulling back the layers of garage-ness his earliest releases had, and Seeker is the most focus the always fantastic Mikal has ever had. Like a reborn jam-free, song forward Dead, or a Simple Songs era Jim O’Rourke-this is the sound of maturity and confidence without sacrificing fun or rock ’n’ roll. Look, dude’s got a bachelor’s degree in music and it shows. This is some fantastic songwriting. Ok, I’ll stop waxing poetically and let the songs do the rest of the talking. Check out the Tom Petty meets The Dead intro of the super-fun “Show Me.”