Beirut "Gallipoli (4AD)"
The sound of Beirut’s music was so singular when it was first released that Zach Condon found himself in a bit of a predicament. Once people heard the unique mixture of trumpets, flugelhorns, organs, accordions, and other instruments synonymous with Beruit’s chamber-pop sound, how could he ever stray and retain his fan base? Well, for one, Zach writes amazing songs, which helps. For two, Gallipoli (4AD), his 5th album, combines the best aspects of his original sound with the sounds he’s been exploring since releasing those original albums. So it doesn’t even matter. Don’t believe me? Check out the absolutely glowing review of the LP over at The Line Of Best Fit. They don’t write “In all Galipolli is the sound of one of our most talented musicians rediscovering his love for what he was born to do” for just anything (it would be weird if they did, since I’m assuming this is the only album ever titled as such). Check out the title track “Gallipoli.”
Blank Range "In Unison"
The Monkees of Nashville are back! Here Blank Range come, walking down the street with In Unison. You like barn burners? Then check out “Radio”. Beautiful slow burners about ghosts (not “ghosting” – sorry kids) – then “Haunt You” is the jam for you. How about a little genre defying? “Change Your Look” sounds like a Replacements’ “Pleased To Meet Me” outtake! New Nashville? So much traffic…. New country? Does Jim Stafford count as new? New car smell? Who the heck cares? Blank Range are burning all burners on all cylinders and I’m gonna stop with the burning stuff. Check out “Lonely II” – even if they didn’t start the fire (sorry).
Grandchildren "Grandchildren (EJRC)"
Grandchildren have been a band for about a decade now, and frontwoman Shari Bolar and songwriter Aleks Martray have been a couple for nearly that long. The songs appearing on this self-titled album all started out as “musical love letters.” Cute! I don’t know about you, but I’m not nearly cynical enough to not think that is adorable! This record finds the band stripping away some of the lush orchestrations of their previous work and focusing on intimate, acoustic sounds that reflect their relationship. Like it says in the album premiere on PopMatters “The material is ultimately “harmonic conversations about their past, present and future”, forming “a narrative of both love and longing” and much more.” Check out the simple pleasures of the uplifting “Zuni.”
Masaki Batoh "Nowhere (Drag City)"
A mostly acoustically driven collection of psychedelia, Masaki Batoh’s Nowhere is a very easy pill to swallow. Just like the pills taken to best enjoy this pastoral freak-out. Kidding! I kid. No drugs needed to enjoy this modern take on the ‘60s underground psych-folk sound. Alternating between lyrics in English and his native Japanese, with drone-y acoustic lines other and lush instrumentation. This one is gonna make you long for the lovely days of summer. So kick back in a field somewhere warm (I’m pretending that’s possible, leave me be. It’s literally 10 degrees out as I write this) and check out the shimmering beauty of “Tower Of The Silence.”