School Damage "A To X (Chapter Music)"
A To X (Chapter Music) is the sophomore album from Melbourne’s School Damage. Spindly early new wave pop mixed with modern punk-lite. Imagine a world where Shopping teamed up with White Fences and Cate Le Bon and you are starting to get the idea behind this energetic sound. Guaranteed to get you chair dancing (because you are likely sitting when you read this) and face smiling (because, like me, you probably haven’t figured out how to make any other part of your body smile). Get ready to bounce along to “Assimilate.”
Steady Holiday "Nobody’s Watching (Barsuk)"
Barsuk’s PR for the debut from Steady Holiday hits the nail right on the head when they say “There’s a nostalgia present in Dre Babinski’s songwriting that leaves you longing for the familiarity of a bygone era — just not one you can necessarily pin down.” It’s really true, it has swaths of girl group ‘50s and ‘60s stuff, ‘70s soul warmth, AM ‘70s songwriter sounds, ‘80s hooks, ‘90s trip-pop a la Portisehead… and tons of modern hints if artists like Weyes Blood and US Girls. If you are looking for a new album to fall in love with (read: become obsessed with) then this is a pretty great place to start. Check out the title track “Nobody’s Watching.”
Alexander Tucker "Don’t Look Away (Thrill Jockey)"
Being psychedelic without falling back onto the accepted tropes of the form is something of a trick. Well, just call Alexander Tucker the David Copperfield of the genre (the magician, not the Dickensian character-that would be a whack metaphor… maybe I should have just gone with The Amazing Johnathan?) Anyway… Don’t Look Away (Thrill Jockey) is just that. All psychedelic swirls, warped, otherworldly music, but doesn’t sound just like all the stuff you think of when I use those words. Check out the Folk Implosion covering Pink Floyd sounds of “Visiting Again.”
Glenn Jones "The Giant Who Ate Himself and Other New Works For 6 & 12 String Guitar (Thrill Jockey)"
Few things warm the chilly depths of my soul like news of a new Glenn Jones record. His prowess on the fretboard, coupled with his ability to craft timeless solo acoustic pieces, is as familiar as a favorite shirt. Able to craft sing-a-longable melodies (not to mention emotional tales) with one acoustic guitar and a pair of hands like some sort of sonic wizard. Seriously. He’s the best. Check out the wistful beauty of “The Sunken Amusement Park.”