Cigarettes After Sex "Cigarettes After Sex (Partisan)"
You can pretend that everything you’ve heard from Cigarettes After Sex before now was just a hint of what was to come. It’s true! Even frontman Greg Gonzalez says so: “This is like the novel or feature-length version of Cigarettes. I wanted it to feel like a complete work, where some of the imagery repeats – like it’s all in the same world. It’s very much a fulfillment of the feelings in the short works.” This thoughtful approach is apparent throughout the ambient pop sounds of the self-titled album (Partisan). Nods to obvious influences such as Mazzy Star and Portishead, and also the reverb-soaked instrumentals of Angelo Badalamenti’s Twin Peaks score (I am speaking only of the original run, I haven’t had a chance to check out the new season yet… My queue is miles long at this point… I’m *almost* up to 2012). Check out the spaced-out longing of “Each Time You Fall In Love.”
Dave Depper "Emotional Freedom Technique"
Does the name Dave Depper mean anything to you? Even if it doesn’t, it does. Chances are he is on at least a few albums in your library, and it’s likely you’ve seen him on the stage as well. He’s worked with Menomena, Fruit Bats, Robyn Hitchcock, Ray LaMontagne, and has been a full-time guitarist of Death Cab For Cutie since Chris Walla left in 2014. See! He’s all over your stuff! Well, now he’s front and center, as Emotional Freedom Technique is his solo debut, and what a debut it is. Otherwordly synths and beats (think remixed film strip music) that makes us think of what would’ve happened if AIR did an album of Duran Duran covers. Check out the first song from the album, “Do You Want Love.”
Dion Lunadon "Dion Lunadon"
For all of the amazing musical things Dion Lunadon has been involved in, a proper solo release has never been one of them. You may know Dion from his days in the New Zealand powerhouse D4, or perhaps from his recent stint as the bass player from A Place To Bury Strangers. But his self-titled solo debut is another beast altogether. A blast of noisy, swagger-y punk blues that is a little like Jon Spencer meets Mclusky meets Unwound with a healthy dose of New Zealand garage pop melodies thrown in to boot. The result is an energetic party in which you wear the blackest of clothes you have in your closet to, because it’s a super cool party too. Make sure you get yourself invited by checking out the distorted bounce of “Howl.”
Joel Michael Howard "5th Grade Part B (Ernest Jenning)"
With 5th Grade Part B (Ernest Jenning), the second solo LP from Joel Michael Howard, he has taken his lush pop sounds and added some frazzled edges to it. His ear for beautiful melodies and arrangements is augmented here with some jittery, stressed percussion a la Radiohead and stressed out synth sounds. The effect leaves the whole record just as simultaneously comfortable and paranoid as real life leaves us. Check out the angular, War On Drugs meets XTC dance-punk groove of “Lies.”