Thievery Corporation "Temple Of I & I"
We were beyond thrilled to sign the laid back trip-hop, smooth acid jazz flows, and dorm room vibes of Thievery Corporation to the roster. So it’s very exciting for us that now they have released a new album. Temple of I & I is a dub-ed up, reggae extravaganza. Midtempo head nodders abound, with elements of ‘70s, ‘80s, and ‘90s disco, hip-hop, and every other beat driven genre (as well as some ambient hints here and there). 20 years into their career and they are still paving the way for electronic music. Check out the anthemesque “Fight To Survive.”
doubleVee "The Moonlit Fables Of Jack The Rider"
doubleVee is a new band consisting of Allan Vest of Starlight Mints and his wife Barb [Hendrickson] Vest. If you are tuning in to hear the quirky turns that Starlight Mints are known for, then you, friend, are in luck! Allan and Barb together have a sound that falls somewhere between Paul McCartney at his silliest, Ween at their schmaltziest, and Harry Nilsson at his most whistleable. It is obvious from the first note that the Vests had an absolute blast making The Moonlit Fables Of Jack The Rider. Chances are you’re gonna have a blast checking it out too. Start with the Lou Reed disco glam surf of “Frucus Minus [The Flycatcher].”
Black Joe Lewis "Backlash"
The good stuff. That’s what Black Joe Lewis plays (it’s also most likely all he listens to). His guitar-centric potpourri of garage rock, blues, soul, and funk is a music-lovers mishmash of all things rock and roll. From his evocative vocals to his blistering axe mastery, BJL knows how to get a party started. Songs are rounded out with vintage organs, horn hits, and bouncy beats. Backlash finds him sounding like a combination of Wilson Picket and Stevie Ray Vaughan. Like I said. The good stuff. Check out “PTP.”
Moon Duo "Occult Architecture Vol. 1"
Occult Architecture Vol. 1 (Sacred Bones), the new album from Moon Duo finds the, uh… duo, indulging their darker side. But I guess when the word “occult” appears in your record title, things are likely to get pretty dark (or pretty ironic if all the songs are happy funtime). Swirling psychedelia mixes with a minor key version of the Dandy Warhols (with all the pop bliss nods intact). Throw in some heady, spaced-out Thurston Moore-esque guitar experimenting, some two part harmony vocals, a little sinister synth work; and if you can figure out a way to stop yourself from nodding along then you are stronger than I am-but i could probably beat you at Connect Four. I should have gone pro… Enough about my lost dreams, fuel tomorrow’s dreams with the drum machine doom of “Cold Fear.”