Honeyblood "Babes Never Die"
Honeyblood are back, and then some! Babes Never Die (FatCat) is the sophomore followup to their beloved 2014 self-titled debut. Worried about some sort of silly sophomore slump? Don’t be! The hooks are catchier! The sparse arrangements are even more fleshed out! Combining ‘60s girl-group melodies, the dreamy likeability of Best Coast, the ‘90s bounce of The Breeders, and the solemn vibes of PJ Harvey to create a gloom-pop masterpiece. This time around, the songs are even more dynamic, with a little bit of throwback loud-quiet-loud stuff thrown in for good measure. Get ready to carve Honeyblood into your desk tomorrow during homeroom and check out the title track “Babes Never Die.”
STRFKR "Being No One, Going Nowhere"
Oh man, are STRFKR ever back (not that they really went anywhere, but you gotta start a blurb somehow, right?)! Being No One, Going Nowhere (Polyvinyl) is a groovy, synthy, poptastic good time. More of a dance-pop release than their previous band-oriented release Miracle Mile, we find the band focusing their gaze to things like Italian disco of the ‘70s, synth-y new wave of the ‘80s, and alt-electronica of the modern era a la Phoenix and MGMT. The whole party is driven forward by infectious bass lines, downtown beats, and a M83-ish collection of perfectly produced synth sounds. Check out the disco-prog strains of the laid back bounce of “Never Ever.”
Lambchop "FLOTUS"
If you’re sick of Lambchop releasing subtle masterpiece after subtle masterpiece, then FLOTUS (Merge) is probably gonna make you mad. (Frankly though, I think it’s weird that good music makes you mad.) If, however, you can’t get enough of their experimental beauty, then get ready to fall in love. Expanding on the electronic, auto-tuned direction they’ve been playing with of late, this time around all that is coupled with lush strings, delicate arrangements, and Kurt Wagner’s unmistakable voice (auto-tuned or not, there’s no mistaking him). The weirdest country band in the world keeps getting weirder, and we should consider ourselves lucky that they are doing so. Thanks Lambchop! You’ll be thanking them to when you check out the Krautrock meets Peanuts music sounds (trust me, it’s an awesome combo) of “NIV.”
Ken Thomson "Restless"
Ken Thomson is a busy, busy classical musician. Besides being a member of the Bang On A Can All-Stars, he also has his jazzy Slow/Fast moniker, as well as his Lincoln Center marching band Asphalt Orchestra. On top of all that? No, not a cherry! Restless (Cantaloupe) is a gorgeous collection of pieces (that’s right, we are talkin’ classical here, so we get to say classy things like “pieces” and maybe even “li’l opera binoculars”). These compositions by Thomson, performed primarily on piano and strings, are filled with beautiful passages, and at times disjointed and dissonant. This is the good stuff here (honestly, how often is Pitchfork gonna review and give 7.9 to a classical album?). Thoughtful modern classical music, with great attention paid to texture and ambience. Check out the playful “Forge.”