The Body "I Have Fought Against It, But I Can’t Any Longer (Thrill Jockey)"
Come for the title (taken from Virginia Woolf’s suicide note), but of course stay for the music. The Body’s I Have Fought Against It, But I Can’t Any Longer (Thrill Jockey) is at times the most terrifying thing they’ve ever released and the most beautiful. IHFAIBICAL is like Diamanda Galas–fronting the Swans, with a good measure of Earth, The Exorcist, and every one of your worst nightmares in ten songs. Like a hurricane The Body lull you into thinking the storm is over but then, sure enough, the winds return and you are trapped in a basement and it is starting to flood and it looks like the floor is covered with cockroaches with fangs that can swim (did I mention worst nightmares). Load up on the Xanax and crank “Nothing Stirs.”
The Sea And Cake "Any Day (Thrill Jockey)"
For a certain sort of music fan (present company included), news of a new album from The Sea And Cake is cause for much celebration. TSAC have been brandishing their unique form of jazzy, post-rock for nearly 25 years now and are showing no signs of stopping. In fact, Any Day (Thrill Jockey) finds the band operating as a trio for the first time as a trio after the departure of original bassist Eric Claridge since the release of their last album, 2012’s Runner. This time around, they have left most of the synthesizers at home in favor of a more organic sound comprised of guitars and organs. Also along for the ride is long-time Brian Wilson collaborator Paul Von Mertens on various instruments that you blow into (sorry if my technical musical knowledge went over anyone’s head there). Check out the jangly shimmer of “Any Day.”
Daniel Blumberg "Minus (Mute)"
Minus (Mute), the solo debut from Daniel Blumberg finds a musician finally arriving at the spot he was always meant to be. Daniel, only 27 years old, has sent years in various bands of his own device as well as working with the likes of David Berman, Low, Lambchop, and Neil Michael Hagerty. Now on Minus, we find Daniel in an almost experimental classical meets modern improvisational jazz meets singer-songwriter mode. The result is something like Harry Nilsson meets Philip Glass meets Radiohead. Pianos, violins, drums, guitars, and other instruments do exactly what you don’t expect them to do, and do it so hauntingly well you’ll swear that you are listening to a newly invented genre of music. Maybe you are? (Ooh! Exciting! If you discover a new genre, you get to name it like a scientist finding a new species. Name it after your favorite pet maybe? That’s always a crowd pleaser). Every time you think you’ve figured out what’s going on here, some surprising element crashes its way into the sonic landscape and leaves you bewildered. Check out the title track “Minus” and decide for yourself.
Eleanor Friedberger "Rebound (French Kiss)"
If you thought Rebound was going to be your album for this year’s NBA playoffs you are sadly mistaken (as am I). Instead, it is a musical rebound of sorts. Harking back to the ‘90s-exchanging live instrumentation for programmed drums, a Juno synthesizer, and muted guitars. Eleanor Friedberger sings over these newly styled grooves with the assurance and confidence of either A) someone who has been making records for over a decade or B) must crush it at karaoke. Basically, imagine Eleanor fronting Stereolab or New Order. Sound cool? It sure is! Check out the catchy as frack “Make Me A Song.” Unlike the rest of life, it won’t disappoint.