Devon Kay & The Solutions "Grieving Expectation"
Grieving Expectation is the 4th studio album by Devon Kay & the Solutions and it’s first on Pure Noise Records. The band recorded and engineered the album themselves with their respective home recording equipment and was mixed and mastered by longtime collaborators Mike Kennerty (All American Rejects) & Erik Atwell (Telethon), respectively. The album is a collection of maximalist pop punk songs pulling from every genre imaginable. Masking nihilistic musings with “sugar in your teeth” pop music has become a mainstay for Devon Kay & the Solutions and with Grieving Expectation they’ve expanded on that idea ten fold.
Field Work "Stations"
What does the Earth sound like? In Stations, the 10th volume in the Field Works series, producer Stuart Hyatt approaches that question with a team of scientists working on the EarthScope experiment. Using sophisticated ground recording devices, Field Works has created a new type of music in which human voices sing along with the actual voice of the Earth. Stations features an all-star ensemble of vocalists and instrumentalists, including Hanna Benn, Janie Cowan, Masayoshi Fujita, Stuart Hyatt, Laraaji, Qasim Naqvi, and Brad Weber.
A Billi Free & The Lasso "Holy Body Roll"
Holy Body Roll is a groove-filled guidebook for healing, the soundtrack to help you move from tear-streaming breakdown to full-body boogie. The first collaborative album from Michigan multi-instrumentalist/producer The Lasso and New Mexico-based singer/rapper A. Billi Free, it’s also a quest for self-realization and self-preservation. With the aid of musical trio Tri Magi, The Lasso imbues thumping ’80s boogie, guitar-wailing funk descended from Midwest legends, heart-pumping house and techno direct from Detroit, celestial and spiritual jazz, and slices of krautrock with hip-hop sensibilities.
A. Billi Free sings in warm, comforting melodies and raps with force and encouraging sincerity, pushing us to reconnect with our bodies in the present while accepting the unknown ahead. However, when the duo began working on the album remotely, The Lasso was still reeling from a divorce. Realizing Free’s sonic visions helped him transmute his anguish into uplifting, dance-inducing instrumentals. During mixing sessions in Michigan and Tucson, the pair drove through forests and deserts, the album on repeat. Listen closely, there is wisdom in every note and lyric, a chance for you to dance as the pain fades and the future comes into focus.
Destroyer "LABRYNTHITIS"
Destroyer’s 2022 album brims with mystic and intoxicating terrain, the threads of Dan Bejar’s notes woven through by a trove of allusions at once eerily familiar and intimately perplexing.
More than an arcane puzzle for the listener, LABYRINTHITIS warps and winds through unfamiliar territory for Bejar as well. Written largely in 2020 and recorded the following spring, the album most often finds Bejar and frequent collaborator John Collins seeking the mythic artifacts buried somewhere under the dance floor, from the glitzy spiral of “It Takes a Thief” to the Books-ian collage bliss of the title track. Initial song ideas ventured forth from disco, Art of Noise, and New Order, Bejar and Collins championing the over-the-top madcappery. “Our version may have been punk clubs, but our touchstones for the album were more true to disco,” says Bejar.