Just Friends "HELLA"
“The modern musical landscape doesn’t really have a space in which to neatly deposit Just Friends. They’re an eight-piece with dual male and female vocals, bringing in a blend of funk-rock, hip-hop and pop-rock, not only with an angle that feels distinctly synonymous with the DIY scene, but also the pull to have two individual guest appearances from Lil B himself on this very album. This is not a ‘normal’ band on their face, but that’s exactly what’s so intriguing about them when the music on HELLA is this irrepressibly simple. In no way is that meant as any sort of slight either; across a wide variety of tones and instrumental angles, Just Friends have put together a true testament to a ‘less is more’ ethos, with pop hooks for days wrapped in a warmth that can only come from a band having just the best time making music.”
Superchunk "Wild Loneliness (Merge)"
“Like every record Superchunk has made over the last thirty-some years, Wild Loneliness is unskippably excellent and infectious. It’s a blend of stripped-down and lush, electric and acoustic, highs and lows, and I love it all. On Wild Loneliness I hear echoes of Come Pick Me Up, Here’s to Shutting Up, and Majesty Shredding.
On Wild Loneliness, it feels like the band is refocusing on possibility, and possibility is built into the songs themselves, in the sweet surprises tucked inside them. I say all the time that what makes a good poem—the “secret ingredient”—is surprise.”
– Maggie Smith, Poet, Merge Records
Duquette Johnston "Social Animals"
For more than twenty years, Duquette Johnston has been amongst the vanguard of Alabama music. From the founding of the seminal indie-rock band Verbena, his work in Cutgrass and the Gum Creek Killers, to his acclaimed solo releases “Etowah” and “Rabbit Runs a Destiny”, Johnston has consistently pushed the boundaries of what Southern American music can sound– and feel– like. On his latest, The Social Animals, Johnston partnered with producer John Agnello and an all-star cast of players including Sonic Youth’s Steve Shelley to create his boldest and most powerful music to date.
In a career that’s taken him from stages with Pavement, Foo Fighters and The Strokes, to the Etowah County Correctional Facility, and then into the world of fashion with his Birmingham-based company Club Duquette, Duquette Johnston has gone to the edge and survived. Throughout that, he’s won acclaim from NPR’s World Cafe, Paste Magazine and Rolling Stone.
On The Social Animals, he opens the door into that experience with eleven songs that shake off the typical Southern Americana sound and present a lush, loud, and eloquent meditation on the human experience.
Carson Mchone "Still Life (Merge)"
“Still Life, Carson McHone’s third album and first release with Merge Records, quivers like a tightrope, with songs about existing within the tension of the in between and surviving beyond the breaking point. These are stories of sabotage, confusion, and surrender. The album is a testament to the effort of reaching, sometimes flailing, for understanding and for balance. Still Life invites us to gasp at our own reflection and acknowledge the unsettling beauty in this breath.
McHone wrote the songs of Still Life in quiet moments between tours in her hometown of Austin, then recorded in Ontario with Canadian musician and producer Daniel Romano. Together in a home studio McHone and Romano cut almost the entire record themselves, calling on two friends, the versatile Mark Lalama on accordion, piano, and organ, and David Nardi with some savvy saxophone, to round it out. The phrasing and tones recall John Cale, The Kinks, Richard and Linda Thompson—like-minded artists of the late ’60s and early ’70s, another era of transition and innovation.”