The Whitmore Sisters "Ghost Stories (Red House Records)"
From Red House Records:
Sisters Eleanor and Bonnie Whitmore, two of roots music’s most accomplished songwriter/instrumentalist/vocalists, are releasing their first album together as The Whitmore Sisters. Titled Ghost Stories, it’s inspired by the loss of family, friends, ex-boyfriends and — on the title track — people who died by police violence.
Ghosts Stories’ cathartic songs embrace the beauty and the experience of living. What came from lockdown and shared experiences — hiking the Grand Canyon at five, playing bars at 15, getting their pilots’ licenses (their entire family fly planes), or just embracing the beauty of living — is an album to take you places and make you feel so alive. “Music should move people,” Eleanor affirms. “Or at least cause some kind of reaction. Sometimes it’s comforting, or you can rock out! I’ve always liked Woody Guthrie’s way of looking at it: ‘Music is to comfort the disturbed and disturb the comfortable.’
Green/Blue "Offering (Rough Trade Publishing)"
From Hozac Records:
Green/Blue have thrust forth their second-born Offering to the gods of noise, washed in hypnotic barbed-wire guitar slices wrapped in troubled dreams of paranoid isolation, it’s the perfect cerebral soundtrack for these endless, draining days.
Pedro The Lion "Havasu (Polyvinyl)"
Back in 2019, David Bazan reactivated Pedro the Lion and returned with the band’s first album in 15 years, Phoenix. A truly great comeback, Phoenix added to PTL’s legacy with songs that picked up right where the band left off and never felt like rehashed versions of older material. Turns out that Pedro the Lion is really back in it for the long haul, and Phoenix was apparently the first album in a five-album series, each one named after and inspired by a different place David Bazan has lived. The second, Havasu, was surprise-released this week. Picking right up where Phoenix left off, Havasu feels like classic Pedro the Lion, and you don’t need to be a nostalgia-seeking longtime fan to appreciate it. Pedro the Lion’s emo/indie rock crossover was ahead of its time — there are way more bands that toe that line today than there were 20 years ago — and the reunion has felt like a way for the band to come back into a future they helped create. As on PTL’s past albums, what really makes Havasu stand out is David Bazan’s highly detailed, personal songwriting. Sonically, Havasu isn’t a major departure for Pedro the Lion, but it’s the depth of the songs that make them resonate as strongly as the band’s classic material. Havasu reminds you that, perhaps more than anything else, David Bazan is just a great storyteller.
– Andrew Sacher, Brooklyn Vegan
Marissa Paternoster "Peace Meter"
Marissa Paternoster (Screaming Females, Noun) began writing Peace Meter immediately after arriving home from a west coast tour cut short due to COVID. Alone in her posthumous grandmother’s empty home, Paternoster sent the skeleton of a song to Andy Gibbs from the metal band THOU with the hopes that he might be able to extrapolate on the original idea. Andy sent his accompaniment back, and that process continued for the bulk of the first wave of quarantine. As the songs developed, Paternoster decided to include two other musicians whom she admired: long time friend Shanna Polley of the NYC-based band Snakeskin on backup vocals, and the cellist Kate Wakefield from the Cincinnati-based band Lung. All parties recorded their parts within their respective homes. Once the songs seemed fully realized, they were mixed by Eric Bennett, one of Marissa’s oldest friends and closest collaborators, who was also quarantined at home alongside his mixing studio.