Past Releases

Yann Tiersen "Kerber (Mute)"

From Mute Records:

 

The follow up to 2019’s Portrait (acollection of 25 newly recorded tracks from throughout his career), Kerber is very much a new chapter in the Breton artist’s work, one that begins with his most overtly electronic material to date. True to Tiersen’s nuanced and subtle approach, this isn’t a U-turn-like thumping piece of dance music but instead a beautifully textured, highly immersive and thoughtfully constructed electronic world to step inside of.

It is both an evolution of what has come before, as well as a new space to explore. On the new album, the piano is the source, but electronics are the environment that they exist within. Tiersen explains, “You may get this intuitive thinking of, ‘oh it’s piano stuff’, but actually it’s not. I worked on piano tracks to begin with but that’s not the core of it, they are not important. The context is the most important thing – the piano was a precursor to create something for the electronics to work around.”

Damon & Naomi "A Sky Record (202020)"

From 202020 Records:

Damon Krukowski and Naomi Yang began playing music together as the rhythm section, co-songwriters, and sometime singers in Galaxie 500. Since the demise of Galaxie 500, Damon and Naomi have worked as a duo, exploring folk music, psychedelia, and collaborations with other like-minded musicians. After releasing a series of recordings with Shimmy Disc, Sub Pop, and Drag City, they established their own label 20/20/20, releasing the Damon & Naomi albums The Earth Is Blue, Within These Walls, False Beats and True Hearts, and Fortune. All their LPs and CDs are available from 20-20-20, or via high-quality download from the Damon & Naomi bandcamp page.

In addition to their work as musicians, Damon & Naomi are the publishers of Exact Change, a small press dedicated to avant-garde literature and artists’ writings. Damon is also a writer (books, blog, podcast, articles for Pitchfork, Art in America, Artforum and others), and Naomi is a visual artist (photography, video, and graphic design).

Deafhaven "Infinite Granite (Sargent House)"

From Sargent House Records:

“Everything works perfectly here. Like, perfectly. These are clearly the tightest and most deliberately constructed songs ever written by Deafheaven; the progressions and patterns rise, fall, and rise anew as steadily and naturally as the ocean tides. It’s a glowing, sad, beautiful album. But it’s so fucking powerful, too. It’s physically powerful. These dudes are a goddamn machine. They are a force.”

Ginger Root "City Slicker"

From Ginger Root:

Editing films, videos, and other multimedia by day, and making music under the name Ginger Root by night, Cameron Lew fronts a sounds that can be described as:

“Aggressive Elevator Soul”.

Combining elements from contemporaries like Toro Y Moi, Vulfpeck, Metronomy, and Kero Kero Bonito, with the influences of Japanese City Pop and the days of Stax and Philly Soul, Ginger Root offers a fresh take on the ever evolving Bedroom Pop scene.