Jiri Jiri "Give Me Disco Vol. 1"
Mysterious disco outfit Jiri Jiri deliver an essential EP — four tracks of sublime, summery European cool hand-picked by Batov Records boss DJ Kobayashi for the label’s brand new and carefully curated ‘Give Me Disco’ 12” series, named after Raja Zahr’s disco classic.
Springing from the ranks of global grooves ensemble Muito Kaballa and psychedelic travellers YĪN YĪN, Jiri Jiri have honed their musical chops and crafted four Neapolitan funk and pan-European disco jams as hot as the Adriatic coastline.
The ‘Give Me Disco – Vol. 1’ EP marks the beginning of two exciting new ventures — the emergence of Jiri Jiri, and inspired by their need for a home, the launch of Batov Records’ ‘Give Me Disco’ 12” series.
Sister "Two Birds"
Sister.’s sophomore album Two Birds showcases a band pushing toward a fresh and cathartic communal vision. The story of the NYC indie band (Ceci Sturman, Hannah Pruzinsky (h. pruz), James Chrisman)’s development is a testament to the deep, almost unfathomably close personal and artistic bond between lead singers Sturman and Pruzinsky over the course of a decade. As the two songwriters began to explore their own relationship in their work, they embarked down a path of total, mutual honesty, writing crystalline indie-folk songs exploring the rare beauty of profound and close friendship, as well as its pitfalls. Two Birds is produced by Chrisman and co produced by Sturman, Pruzinsky, and Felix Walworth (Told Slant, Florist). The project, now expanded into a mature, fully formed quartet—pushes definitively into unexplored emotional and musical terrain.
Here, Sister. have accomplished a rare feat, turning in a collection of songs full of windswept space, patient arcs, and cathartic moments of release, in which new interactions within the music reveal themselves with repeated listening. It is an inventive, devastating, and confident statement, exploring relationships that drift apart before folding back into each other, embodying togetherness and apartness in both its lyrics and musical forms.
Mark Stewart "The Fateful Symmetry"
The groundbreaking, enduringly influential artist Mark Stewart presents his eighth solo album The Fateful Symmetry, a vital new masterwork completed shortly before his untimely passing in April 2023.
Across an illustrious career of pioneering music with The Pop Group, Mark Stewart & The Maffia and as a solo artist, Stewart has produced a seminal body of work, galvanized by the DIY ideals of punk, radical politics, protest movements, theory, philosophy, technology, art and poetry. With The Fateful Symmetry, Stewart’s abiding legacy as a ‘“revered countercultural musician” (The Guardian) is sustained, with an album as fearless and visionary as his best work.
Testifying to his prolific, unrelenting ingenuity, and signifying one of his most intimate, empowering statements, The Fateful Symmetry is an astonishingly expressive and innovative record; a fierce and beautiful manifesto for a better world. The inimitable, titanic Mark Stewart, never normalized, always extraordinary.
Nicolas Bougaïeff "Sunday Summer"
Nicolas Bougaïeff returns to NovaMute with Sunday Summer, the final instalment in his Prime series following Primal Extensions and Prime Function.
Across the trilogy, Bougaïeff explores prime rhythms—polyrhythms derived from prime number ratios—inviting deep listening with disorienting grooves. Opener ‘Sunday Morning at Panorama Bar When Things Go Sideways’ is built around a 5:4 groove at 136 bpm, used as a pivot to mix in a middle section at 170 bpm, capturing the chaotic energy of its namesake. ‘Blue Seventeen’ unleashes high-velocity chaos with freakish pulses, laced with a subtle 17:4 pattern at the end of synth line phrases—first introduced in Bougaïeff’s earlier track ‘Tesseract Jazz’. ‘Organelle’ ups the pressure with muscular drum loops, gritty textures, and dystopian melodies that feel like otherworldly transmissions. Finally, ‘Summer Beach Bar Where Jodie Foster Goes in the Movie Contact’ is a red herring: the calmest track on the EP but also the most rhythmically complex, built around a 19:5 main riff with a dash of 23:5.
With Sunday Summer, Bougaïeff delivers a cerebral and emotive finale to the Prime series—full of tactile textures, asymmetry, and raw sonic curiosity.