Silver Convention "Get Up & Boogie: The Worldwide Singles"
From Omnivore Recordings:
Silver Convention burst onto the music scene with their single “Save Me” in 1974. “The Berlin Sound” was quickly rebranded as Eurodisco, and the dance floors across the world responded. In 1975, “Fly, Robin, Fly” became an international smash—selling a million copies, topping the U.S. charts for three weeks, and winning a Grammy Award for Best R&B Instrumental Performance. The next year saw “Get Up And Boogie (That’s Right)” spend three weeks at #2 (kept out of the top spot in the US by Wings’ “Silly Love Songs”) and solidified a sound that resonated across genres and generations.
Get Up & Boogie: The Worldwide Singles traces the band’s five year journey on the singles charts, and offers not only a look at their evolution, but presents unique single mixes of their hits from various countries. From the aforementioned tracks to the international hit “Telegram” and non-LP single “Café au Lait,” Get Up & Boogie: The Worldwide Singles is a definitive look at the innovation of a sound that had the planet dancing.
With remastering and restoration from the multiple Grammy-winning Osiris Studio, Get Up & Boogie: The Worldwide Singles also features insightful and informative liner notes from Joe Marchese (theseconddisc.com) telling the story of the band, their trajectory, and the differences in each choice of master used.
So, get up and . . . well, fly . . . well, just dance, boogie and enjoy the ride. That’s right!
Gastr Del Sol "We Have Dozens of Titles"
Nearly twenty-five years after disbanding, Gastr del Sol have unpacked their archive, stringing together an alternative view to their genre-melting 1993-1998 run. This assembly of previously uncollected studio recordings and beautifully captured unreleased live performances forms a spacious ode to the flux that was their métier; a further set of reinventions that continue to alter the manner in which we hear music, and literally everything else!
Hot Wheels "Sun Blonde"
Hot Wheels is a project conceived by Los Angeles based painter and musician, Dan Bruinooge. His debut album, Sun Blonde, jumps from meditative drone pieces to radio-friendly hits. It plays like a soundtrack for an outsider’s experience in LA. It could perhaps best be paired with driving in a convertible in deadlock traffic with the sun blaring in your face; dwelling and blissing out in its beauty, complexity and melancholy.
Jim White & Marisa Anderson "Swallowtail"
The duo avoids preconceived movements, instead focusing on their musical conversation. As Anderson puts it, “The ideas aren’t the music, they are the pathway into the musical possibilities.” Their trust in one another and skillful interplay create an effervescence throughout the album. There is an organic ebb and flow to the duo’s motions that brings a sense of serenity and ease to spontaneous transitions, each swell and retraction sounding as free as it does inevitable.
Swallowtail is a journey of steady change. White and Anderson’s preternatural alchemy as a duo allows each fleeting gesture to feel featherlight and stirring while maintaining an inquisitive spirit. Their music is an enchanting and illuminating celebration of process as joy. Swallowtail lives at the precipice of slowly unraveling revelation and the thrilling unknown, White and Anderson finding beauty in pursuit of uncovering the next moment and what possibilities lie ahead of them. The album evokes both the natural setting of its recording and the natural expanses around home. Reminiscent of the grace of its namesake’s movement through the garden’s flora, Swallowtail is a beautiful listen whose depth unfolds with the dance of this astute and untethered duo, guiding us nimbly through nature’s vistas and our dreams.