Bruno Bavota and Chantal Acda "Safer Places"
Maya Shenfeld "Cover Up (Soundtrack)"
This is the soundtrack for the acclaimed Netflix documentary Cover-Up, co-directed by Laura Poitras and Mark Obenhaus centered on Pulitzer Prize-winning journalist Seymour Hersh. The film’s subject Hersh is best known for breaking controversial stories about the US Military, particularly its actions in the Vietnam War and the Iraq War. The film premiered at the Venice Film Festival and is distributed by Netflix.
Rooted in analogue sound, the score for Cover-Up weaves Eurorack modular recordings, guitar feedback, typewriter samples, organ, brass, and live strings processed through tape into an evolving sonic landscape. The analogue textures converse with the film’s archival language, while the interplay between analogue and digital mediums mirrors the temporal reach of the story, from the My Lai massacre to the present day. These elements echo the moral tension and investigative rigor at the heart of Seymour Hersh’s reporting, as the film uncovers decades of concealed violence and state power. The music oscillates between restraint and propulsion – deep drones, tactile string textures, and percussive momentum – in dialogue with the film’s movement between revelation and reflection.
Shay Hazan "When It Rains It Pours"
Bassist, composer and producer Shay Hazan returns with his third solo album, ‘When It Rains It Pours’, on Batov Records. Following the critical success of ‘Reclusive Ritual’ and ‘Wusul’ وصول, Hazan takes a bold step forward, shifting from the guimbri-led sound that established his reputation to a broader palette of bass, guitar, and synth-driven compositions.
Where his earlier work foregrounded the raw, earthy textures of Gnawa tradition, ‘When It Rains It Pours’ reflects Hazan’s evolution as a producer and multi-instrumentalist. Across eleven tracks, Hazan deepens his exploration of layered grooves, spiritual melodies, and experimental textures, resulting in his most expansive and personal statement to date.
The album’s title embodies Hazan’s experience of being tested by life when multiple challenges arrived at once – musically, personally, and physically. A painful period in which he was unable to play double bass or guimbri due to joint issues became the spark for rediscovering the electric bass, reconnecting him with an instrument he had set aside on personal projects for years. The record documents this transition, capturing the tension between struggle and renewal.
NOMON "Echoes of Breakage"
Echoes of Breakage is the debut album from New York’s NOMON, the sister duo of percussionists Shayna and Nava Dunkelman. Building on the deft collision of traditional Asian sounds, electronics, and contemporary percussion music established on the duo’s 2021 EP Card II, the new album captures dramatic artistic growth and sonic expansion. The duo’s deep roots in percussion music have been increasingly complimented by the seamless incorporation of electronics and long-form compositional ideas. They’ve arrived at a bracing marriage of past, present, and future, making sense of disparate individual musical practices. Echoes of Breakage boldly elides any sort of stylistic convention, instead tapping into instinct and careful listening to bring seemingly incongruous ideas together, whether it’s how gamelan-inspired breakdowns are subsumed by moody electronic soundscapes or the way they build slow-build dramatic tension through meticulously measured interaction where every gesture is carefully weighted.
Echoes of Breakage is a celebration of family that uses a wide assortment of tools, styles, and rhythms unbound by any single tradition, era, or aesthetic. In NOMON Shayna and Nava Dunkelman push one another and coalesce, trusting their guts to meld their ideas into richly unified pieces that don’t concern themselves with genre. Instead it delivers a perfect marriage of pleasure, rigor, and experimentation, rejecting any notion that such things are mutually exclusive.