Past Releases

Pedro The Lion "Havasu (Polyvinyl)"

Back in 2019, David Bazan reactivated Pedro the Lion and returned with the band’s first album in 15 years, Phoenix. A truly great comeback, Phoenix added to PTL’s legacy with songs that picked up right where the band left off and never felt like rehashed versions of older material. Turns out that Pedro the Lion is really back in it for the long haul, and Phoenix was apparently the first album in a five-album series, each one named after and inspired by a different place David Bazan has lived. The second, Havasu, was surprise-released this week. Picking right up where Phoenix left off, Havasu feels like classic Pedro the Lion, and you don’t need to be a nostalgia-seeking longtime fan to appreciate it. Pedro the Lion’s emo/indie rock crossover was ahead of its time — there are way more bands that toe that line today than there were 20 years ago — and the reunion has felt like a way for the band to come back into a future they helped create. As on PTL’s past albums, what really makes Havasu stand out is David Bazan’s highly detailed, personal songwriting. Sonically, Havasu isn’t a major departure for Pedro the Lion, but it’s the depth of the songs that make them resonate as strongly as the band’s classic material. Havasu reminds you that, perhaps more than anything else, David Bazan is just a great storyteller. 

Andrew Sacher, Brooklyn Vegan


Like Pacific "Control My Sanity"

Marissa Paternoster "Peace Meter"

Marissa Paternoster (Screaming Females, Noun) began writing Peace Meter immediately after arriving home from a west coast tour cut short due to COVID. Alone in her posthumous grandmother’s empty home, Paternoster sent the skeleton of a song to Andy Gibbs from the metal band THOU with the hopes that he might be able to extrapolate on the original idea. Andy sent his accompaniment back, and that process continued for the bulk of the first wave of quarantine. As the songs developed, Paternoster decided to include two other musicians whom she admired: long time friend Shanna Polley of the NYC-based band Snakeskin on backup vocals, and the cellist Kate Wakefield from the Cincinnati-based band Lung. All parties recorded their parts within their respective homes. Once the songs seemed fully realized, they were mixed by Eric Bennett, one of Marissa’s oldest friends and closest collaborators, who was also quarantined at home alongside his mixing studio.

Chris Liebing "Another Day"

Another Day sees Chris Liebing once again collaborating with an eclectic mix of artists, including several who were involved with Burn Slow. Miles Cooper Seaton, in one of his last performances following his sad and untimely passing earlier this year, and Polly Scattergood lend vocals to a track each, while Ralf Hildenbeutel returns to produce. Ladan (formerly known as Cold Specks), Tom Adams and Maria Uzor (Sink Ya Teeth) are new collaborators for Liebing.

“With this album, I wanted to take myself out of it as much as possible,” explains Chris Liebing. After three decades working dancefloors with pummelling techno, Chris Liebing formidable reputation as a DJ and is certainly comfortable with being in the spotlight, but for his solo work he has chosen a different avenue.