
Purling Hiss "Drag on Girard"
The colliding circles of time bring us back to the brink of the Hiss at last. Classic rock singing/screaming guitars fuse with Mike Polizze’s hope-n-dreamz feels and explode into fresh heartbreak, happening right now today, as sweet tunes and crushed guitar harmonics pour off the turntable and run out in the street, just like in the old days.

Darren Jessee "Central Bridge"
Darren Jessee is a familiar presence to alternative music fans thanks to his long tenure as the drummer / backing vocalist in Ben Folds Five. (He also co-wrote that group’s biggest hit “Brick.”) Outside of that outfit, he’s logged time touring with Sharon Van Etten and Hiss Golden Messenger, as well as fronting the indie rock ensemble Hotel Lights. But perhaps Jessee’s most affecting work has been the three albums he has released over the past five years under his own name. On these recordings, he scales everything back to the purest pop essentials, with strings, acoustic guitar, and a smart application of vintage keyboards serving to put further emphasis on his languid vocals and plainspoken, yet elegiac lyrics. Jessee’s latest full-length Central Bridge is his best yet. A hushed understated affair recorded primarily in the artist’s North Carolina home, the album revels in the small details of life—a crumpled pack of cigarettes found in an old jacket, a pile of wet swimwear on the floor—that somehow leave a lasting impression on a person or stir up deep seated memories.

Litgury "93696"
From Pitchfork:
For over a decade, Haela Ravenna Hunt-Hendrix has cloaked her shapeshifting metal band Liturgy in a dense matrix of symbology. Diving into her Substack and YouTube channel, where she connects dots between Marxist thought, the Upanishads, Thomas Aquinas, and Aleister Crowley, can be as enlightening as it is mystifying. For all of Hunt-Hendrix’s theorizing, though, the music has always been thrillingly physical. It’s one thing to read about her concept of the “burst beat” and how her rapid-fire rhythms are intended to induce a state of awakening and transformation. It’s another thing to simply feel it.
Devotees willing to trawl through Hunt-Hendrix’s countless diagrammatic wireframes may notice a recurring theme, perhaps best encapsulated by the title of one of her videos: “What Will Heaven Be Like? (Part 1).” Hunt-Hendrix’s music reaches toward utopian catharsis, reshaping the craven and nihilistic timbres of black metal into blissful, glowing pillars of sound. In her manifestos, she’s described a desire to create music that pushes listeners toward self-discovery and actualization, a goal that’s taken on more personal weight after she came out as trans in 2020. “Gender dysphoria is a huge part of what made me make this music,” she told the Needle Drop. 93696, whose title is intended to mean “heaven” according to Hunt-Hendrix’s interpretation of Thelemic numerology, plays as its name suggests: This is Liturgy in their purest form, tapping all of their strengths to reach their most radiant incarnation yet.

M83 "Fantasy"
From M83:
“M83 announces the details of his new forthcoming full-length album, FANTASY, that will see release on March 17th. In addition to this news, M83 has shared the sweeping, transformative first cut “Oceans Niagara”. Accompanying the track is a video directed by his long-time creative collaborator, filmmaker (Knife + Heart, You And The Night) and brother Yann Gonzalez.
“BEYOND ADVENTURE”, Gonzalez sings into a trademark M83 swirl of synths & guitars. These are the only two words in the entirety of “Oceans Niagara”, a proclamation with an ellipsis, and the most apt tone-setting for the evocative, sense-amplifying journey that is Fantasy.
For Gonzalez, Fantasy‘s direction and aesthetic was immediately clear. “I wanted this record to be very impactful live,” he says. “The idea was to come back with something closer to the energy of Before The Dawn Heals Us. The combination of guitars and synths is always in my music, but it’s maybe more present on this new record than on the previous ones.”
Reserved in nature, Gonzalez also sought to continue a trend that has become more prominent in his recent albums. “I wanted to be more present lyrically and vocally even if that was daunting at first,” he states. “I thought if I could achieve that, this album will be more personal than those that came before.”
Fantasy, M83’s 9th studio album, proves a towering sensory delight and marks his most personal album to date, an alternate world that Gonzalez has created as an escape from the disconnected world we live in today. ”