Past Releases

The Clientele "I Am Not There Anymore"

The Clientele’s I Am Not There Anymore regularly evokes what singer-guitarist Alasdair MacLean calls “the feeling of not being real.” Recording for the album began in 2019 and continued piecemeal until 2022—in part because of the pandemic, but also because the band wanted to experiment. “We’d always been interested in music other than guitar music, like for donkey’s years,” MacLean says. This time out, he and bassist James Hornsey and drummer Mark Keen incorporated elements of post-bop jazz, contemporary classical, and electronic music. According to MacLean, “None of those things had been able to find their way into our sound other than in the most passing way, in the faintest imprint.”This stretching out—what MacLean calls “a leap forwards and to the side”—can be heard clearly in lead single “Blue Over Blue,” with its percussive samples and its moments where the arrangement opens up suddenly into something cinematic in scope, with horns and strings.

MacLean says I Am Not There Anymore is all about “the memory of childhood but at the same time the impossibility of truly remembering childhood… or even knowing who or what you are.”

Upper Wilds "Juptier"

On Jupiter, Brooklyn trio Upper Wilds voyage deeper into the cosmos, mapping out the overwhelming enormity of the universe in soaring hooks and blistering noise. The third installment in the trio’s exploration of our solar system looks to its largest planet for a daring exploration of scale and perspective. New York underground mainstay Dan Friel’s melodic gifts and wry lyricism are magnified and propelled ever outwards by the thundering rhythm section of bassist Jason Binnick and drummer Jeff Ottenbacher, all immersed in rippling fuzz. Just like its namesake, Jupiter stands as Upper Wilds most colossal offering in their catalog. The raw power of their music is amplified to titanic proportions, sky-clawing riffs invoking the sheer awe that the heavens inspire.

Throughout Jupiter, Friel makes canny use of shifting perspectives to make sense of the universe’s infinite expanse and our place within it. The buzz-saw groove of “Drifters” mirrors the relentless forward-motion of the NASA Voyager space probes pushing out to the edges of the known universe, Friel musing on the likelihood that they outlast the existence of the earth and our sun. “Short Centuries” pays homage to the oldest married couple on Earth, Julio Mora and Waldramina Quinteros, and love’s ability to echo out through the eons, rising from a slow shuffle to ecstatic peaks bolstered by guest vocals from Katie Eastburn (KATIEE) and Jeff Tobias (Sunwatchers). Album centerpiece “10’9”” liquifies the trio’s fizzing distortion into molten sludge in an ode to the tallest person on Earth, still a mere speck from the perspective of the cosmos. “Books About UFOs” turns instead to the legacy of science-fiction in punk music, their bounding cover of the Husker Dü original amplified by Tobias’ screeching saxophone. The juxtaposition of strange true stories of the human experience alongside grand interstellar narratives brings the enigmas and mystery of space home to the more familiar and mundane.

The Pink Spiders "Freakazoid"

From The Pink Spiders:

“Freakazoid was written mostly in the months before the pandemic. When we were ready to start tracking, we found ourselves with a lot of free time to be creative but no opportunity to get together, so we tried something we’d never done – recording an album all by ourselves in isolation. To create the sessions, we would record instruments separately in our houses and email the tracks to each other. That was an extremely frustrating and time-consuming process that took from the fall of 2020 until late 2022 to complete. We were used to banging out albums in a studio in a few weeks so it was a blessing and curse to have all the time in the world to work on it. They say great art is never finished, it is only abandoned and that’s how it felt to wrap this up. There are still little changes I wish I could make from time to time but I’ve had to learn to just let it go. That being said, I’m so proud of the album and so happy that the reaction has been so incredibly positive so far.”

The Baseball Project "Grand Salami Time"

In 2008 they busted out of the box and easily reached first with their Frozen Ropes And Dying Quails. The Baseball Project was on base and immediately posed a threat to go further.In 2011, they moved on to second with some wildness aptly called High And Inside. They were halfway home.Three years later in 2014, the quintet of Big Stars moved on down the line to the aptly titled 3rd, an epic double dip delight of craftsmanship and savvy.And there they stayed. For nine long years at the hot corner, but we’re happy to say that The Baseball Project is finally coming home, scoring big and touching ’em all with their fourth album Grand Salami Time. The scoreboard is lighting up and the fireworks are illuminating the sky.Speaking of reaching home, this album is a homecoming of sorts, as the band recorded and produced the album with none other than the legendary Mitch Easter. BBP members Peter Buck and Mike Mills’ made their first albums with Mitch back in the early ’80s with a swingin’ little combo called R.E.M.Scott McCaughey and Steve Wynn kept busy themselves, busting out new tunes with the Minus 5/Young Fresh Fellows (Scott) and The Dream Syndicate (Steve), while stockpiling a passel of penned poetics about the national pastime, many co-written with Peter. Mike adds a new classic of his own about doctored baseballs called “Stuff.”Linda Pitmon, who along with Peter and Scott has been part of a steady rhythmic nucleus, bashing out epic rock platters with Filthy Friends, (Alejandro Escovedo, Luke Haines & Peter Buck), is back driving the ship from behind her mighty drum machine.All in all, a fancy pedigree but, as Wynn points out, “this is our only band that plays stadiums”—true story as The Baseball Project has performed full sets along with the National Anthem and “Take Me Out To The Ball Game” at major league parks in Boston, Chicago, Milwaukee, Denver, Minneapolis, Philadelphia and more minor league and spring training fields, as well as having thrown out some exceptional first pitches (nothing but strikes!) as well.It’s all part of an unusual arc and fun story of a band whose first gig was an appearance on Late Night With David Letterman followed by a festival in a medieval Spanish city. For a quintet that has seemingly done everything over the years with their other bands, The Baseball Project always offers new and uncharted experiences.The album was recorded at Mitch Easter’s fabled Fidelitorium Studios in Kernersville, North Carolina, with the entire band performing live together in the same room, a joyous experience that seemed impossible to imagine only one year before. Mitch adds guitar on a few tracks and the record also features appearances by Stephen McCarthy (The Long Ryders) and Steve Berlin (Los Lobos).In the meantime, the band will be out on the road throughout—when else?—the upcoming baseball season. And we all know they’ll find their way home. Get out the rye bread and mustard, Grandma, it’s Grand Salami Time!Available on CD, Digital, and as a double-LP (with an etched 4th side), Grand Salami Time is the home run music fans have been waiting for. Packaging features stories behind the songs from band members, and makes Grand Salami Time more than a game—it makes your season!